Hypnotic as jenn
A young woman seeking self-improvement enlists the help of a renowned hypnotherapist. But after a handful of intense sessions, she discovers unexpected and deadly consequences.
Midnight Mass as erin greene
An isolated island community experiences miraculous events - and frightening omens - after the arrival of a charismatic, mysterious young priest.
The Time Traveler's Wife as annette detamble
A couple's relationship is put to the test when time travel is involved. A TV adaptation of Audrey Niffenegger's novel 'The Time Traveler's Wife.'
Kate makes short appearances in the trailer around 00:28 and 00:56
Netflix’s The Fall of the House of Usher announced 20 new cast members including Michael Trucco, T’Nia Miller, Paola Nuñez and Henry Thomas.
Also aboard for Mike Flanagan’s upcoming limited series based on the works of Edgar Allan Poe include Kyleigh Curran, Samantha Sloyan, Rahul Kohli, Kate Siegel, Sauriyan Sapkota, Zach Gilford, Katie Parker, Malcolm Goodwin, Crystal Balint, Aya Furukawa, Daniel Jun, Matt Biedel, Ruth Codd, Annabeth Gish, Igby Rigney and Robert Longstreet.
They join previously announced actors Frank Langella, Mark Hamill, Carla Gugino, Mary McDonnell, and Carl Lumbly.
The Fall of the House of Usher is a short story written by Poe. First published in 1839, it features themes of madness, family, isolation, and identity. The eight-episode series is described as an epic tale of greed, horror, and tragedy.
The series, which was created by Flanagan, is exec produced by the auteur along with Macy as well as Emmy Grinwis and Michael Fimognari. Intrepid Pictures’ Melinda Nishioka will co-executive produce the project. Flanagan and Michael Fimognari will each direct four episodes.
The Fall of the House of Usher marks the fifth series for Flanagan and Trevor Macy at Netflix under their Intrepid Pictures overall deal, including The Haunting of series – The Haunting of Hill House and The Haunting of Bly Manor; the recently launched and critically-lauded Midnight Mass, and the upcoming The Midnight Club.
It can be frustrating being the partner of an artist. When Kate Siegel first read the script for Midnight Mass, the new Netflix series from her husband, horror auteur Mike Flanagan, she had a somewhat unusual, yet relatable reaction.
“I believe I threw the script across the room,” she tells Den of Geek and other outlets. “I was like, ‘What the…? Oh, you’re so smart. I hate you.’”
It’s easy to tell that Siegel is being facetious. After all, Flanagan has entrusted some of his most memorable characters to Siegel, and in return, she’s imbued a sense of strength, intelligence, and world-weariness in them.
Midnight Mass is the seventh overall collaboration between the husband and wife duo and the third Netflix horror series in a row. In The Haunting of Hill House, Siegel played middle Crain sibling and black sheep Theodora, a fan-favorite character with empathic sensitivity powers that cause her to be closed-off and guarded. Though her role in the sister series The Haunting of Bly Manor wasn’t as large, it was perhaps even more impactful. Siegel played Viola Willoughby-Lloyd, the original owner of Bly Manor who, in a standalone episode, becomes ill and watches as her sister steals her husband away from her. Viola eventually becomes the spirit known as The Lady of the Lake, the malevolent presence at Bly Manor that does the titular haunting.
With Midnight Mass, however, Flanagan reserves the best role for his wife for last (so far). In the horror series, Siegel plays Erin Greene, a resident of Crockett Island who returns home after running away as a teen. Pregnant and fleeing an abusive relationship, she takes over the role of schoolteacher from her deceased mother and reconnects with another returning resident, Riley Flynn (Zach Gilford).
As the series progresses, Erin’s role expands, and she becomes the de facto protagonist of Midnight Mass. She delivers a standout closing monologue that beautifully delivers the series’ central themes and appears as if it’s coming to Siegel in the moment and shocking even her. It’s the sort of smart writing that would make you throw a script across the room.
Whereas Theo and The Lady of the Lake were hardened by their experiences, Erin doesn’t let the past prevent her from being a warm person or living a full life. Erin’s faith allows her to keep from being weighed down by her baggage.
“A lot of the characters I’ve played before Erin were very sharp women,” Siegel says. “They tend to be prickly or tense in a certain way. And Erin is the opposite of that. Erin is open and light.”
While Erin has every right to be bitter — failed dreams of stardom, a less than ideal relationship with her mother, a history of abuse — she is a ray of light on the grey, fading island of Crockett. Unfortunately, Erin’s light is tested by the inexplicable events that coincide with the arrival of mysterious young priest Father Paul (Hamish Linklater). Well into her pregnancy before Paul’s arrival, Erin goes for a routine check-up after attending one of Paul’s masses and discovers that her baby has vanished from her body.
While Midnight Mass offers horrors of a more supernatural kind, the unexpected loss of a child during pregnancy is real life terror that is painfully relatable for many. In portraying the devastating loss, Siegel focused on the more fantastical elements of the story rather than dwelling on the agonizing realities of a miscarriage.
“For me, there was a specific difference, which is that Erin knew she hadn’t had a miscarriage. She knew that,” says Siegel. “I went to Mike and I said, ‘I’ve decided that Erin has had a miscarriage before.’ So she knows what it looks like and she knows what it feels like. The thing I actually tapped into was a very familiar feeling…of people not believing you when you’re telling them the truth.”
With all of the intrigue in Crockett and personal turmoil for Erin, her faith never wavers. While by no means a fanatic like pious character Bev Keane (Samantha Sloyan), Erin finds safety and compassion in the Church. Her spirituality is not so contingent on scripture, but on the feeling that everyone and everything are connected, and that connection is what we call God. It’s a lovely sentiment and view of religion, but not one necessarily shared by Siegel.
“I was raised Jewish and the tenet of Judaism that always stuck with me was ‘ask more questions.’ Then I ended up at an Episcopalian high school for the last two years of my schooling and they did not like that approach. I developed quite a judgment of religion. So when Erin came my way, I had some judgments on her. Then through the course of it, I learned not to judge people like that. I hope that’s the best part of religion. Ask questions. Do unto others.”
Love, loss, religion, mystery; it’s all there in Midnight Mass and no character better embodies the themes than Kate Siegel as Erin Greene.